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PLOT: A bunch of rich twenty-somethings take shelter throughout a hurricane at a palatial mansion owned by a pal’s dad and mom. When one in every of them is brutally killed, they activate one another, satisfied one in every of their gang is a cold-blooded assassin.
REVIEW: Our bodies Our bodies Our bodies goes to divide horror followers. For those who count on a slasher, you’re certain to stroll away disenchanted. Whereas there may be some good gore and gnarly kills, if something, this performs like a homicide thriller with a savage satirical edge. Director Halina Reijn, working from a screenplay by Sarah DeLappe, eviscerates a selected type of “woke,” upper-class twenty-something. The type who posts buzzwords like “gaslighting” on Twitter however in the end are so caught up of their narcissism they’ll’t fathom that perhaps they’re not crucial particular person on the planet. It’s an edgy, typically hilarious movie that – to make use of one other buzzword – will “set off” the individuals it savagely sends up.
That stated – don’t count on to be scared at any level throughout the ninety-five-minute operating time. It’s intelligent, humorous, well-acted and fantastically made – but it surely’s not scary. In any respect.
If you may get previous that, Our bodies Our bodies Our bodies is a terrific movie. The ensemble is unbelievable, being led by Borat 2‘s Maria Bakalova in her most fleshed-out position to this point. She performs Bee, a younger girl dragged alongside to this mansion by her girlfriend, Amandla Stenberg’s Sophie, who desires to reconnect along with her circle of rich twenty-somethings. There’s Myha’la Herrold as Jordan, a provocateur with a romantic historical past with Sophie, Chase Sui Wonders’ wanna-be actress Emma, and Pete Davidson as David, the jerk whose wealthy daddy is placing all of them up for the weekend. Better of all is Shiva Child‘s Rachel Sennott in a hilarious efficiency because the “wokest” and presumably most naive of the group, Alice, who’s simply recognized by her ever-present glow-stick necklace, which helps give the movie its signature neon look as soon as the hurricane topples the facility. She reveals up with a a lot older, vacuous boyfriend in tow, memorably performed by Lee Tempo.
Finally, the group settles right into a coke-fueled sport of Our bodies Our bodies Our bodies, a murder-mystery model of Werewolf that they prefer to play. When one in every of them dies for actual, the group begins to activate themselves, a state of affairs not helped by all of the cocaine, booze and Xanax mendacity round. Bakalova’s character emerges because the protagonist, being the outsider to this group, however what Our bodies Our bodies Our bodies does so nicely is that you just’re by no means actually certain what’s happening. No person appears to be in management, with even Bakalova having a wildly over-the-top response to a pink herring that places her on the suspect checklist – even when she’s our heroine.
Reijn does an incredible job with the pacing, operating a decent ninety minutes and by no means lagging. Whereas she’s definitely extra within the satirical side than the horror side, there’s nonetheless a beneficiant quantity of gore. The “previous darkish home” setting is nicely conveyed, with this sprawling mansion changed into a cavernous labyrinth as a result of the raging hurricane has knocked the facility out. The cinematography is great, with Jasper Wolf utilizing the glow sticks the women are obsessive about to supply a lot of the lighting, an impact that’s each comical and classy. The rating by It Follows‘ composer Disasterpeace is already drawing early raves, and provides tremendously to the film’s vibe.
Once more although, horror followers want to enter Our bodies Our bodies Our bodies with their expectations in verify. A24 just isn’t a studio that does standard horror, and that is no exception. However, should you can go in with an open thoughts, you’ll little question have a blast, particularly should you’re somebody that will get exasperated by tone-deaf “assume items” podcasts and Twitter. It’s not an incredible horror film, however as a satire, it’s innovative.
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